Catalogue Exhibition │Millepiani
Posted on January 27 2022
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THE EPHEMERAL AND THE
EVANESCENCE PERCEPTION
JOCKEL LIESS
Pattern Study 2 │ Photography, 2020
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Pattern study 2 is part of a series of photographs taken of the eroding surface of a large decaying root. The organic patterns and colours of the decomposing wood intertwining with cracks and fungal growth are observed and documented as a ‘readymade’ ephemeral work of art.
- J. L.
JOCKEL LIESS
Pattern Study 9 │ Photography, 2020
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Pattern study 9 is part of a series of photographs taken of the eroding surface of a large decaying root. The organic patterns and colours of the decomposing wood intertwining with cracks and fungal growth are observed and documented as a ‘readymade’ ephemeral work of art.
- J. L.
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An Inverse Rorschach - Inverse: opposite or contrary in position, direction, order, or effect - Rorschach: a psychological test in which a person is shown spots of ink and asked what they look like, as a way of learning about the person's personality or feelings.
- J. C.
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An Inverse Rorschach - Inverse: opposite or contrary in position, direction, order, or effect - Rorschach: a psychological test in which a person is shown spots of ink and asked what they look like, as a way of learning about the person's personality or feelings.
- J. C.
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In my still lifes I take up the human passion for collecting. The desire to preserve the beautiful. The studio flowers are still beautiful in decay - the withered flowers even seem to entertain themselves. The photograph is part of a larger series on the theme of "what remains“. The bouquet was left over from an exhibition opening. I put the flowers in a row. Other items in the series I sorted by size or color.
- I. F.
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In my still lifes I take up the human passion for collecting. The desire to preserve the beautiful. The photograph is part of a larger series on the theme of "what remains“. The shell jars came from the collection of a deceased artist. He sorted by type. Stones and polished shards he stored with water to keep the color they had as he found them wet.
- I. F.
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Encased Beauty │ Photography, 2021
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I promote change and challenge societal issues through using natural materials and processes. The flowers encased in ice are symbolic of femininity, delicateness and beauty, and challenge the objectification of women. By allowing the ice to melt, I empower the audience and create a tense, temporary relationship to reflect life.
- M. K.
Ephemeral │ Photography, 2021
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Caught in a monent, nver to be reapeared, a man stands transfixed by the glimmering , translucent , fluttering silk cloth. His profile, lit by the blue light, invites us to join him in celerbrating the ephemeral beauty.
- F. L. N.
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DMITRIS THEOCHARIS
- D. T.
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- J. S.
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- N. V.
- F. L. O C.
- F. L. O C.
- J. K.
- L. T. S.
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- H. B.
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The photographs, part of a series titled Re>Formations, explore my interest in the relationship between shape, light and color along with the fragility of nature. The images, created from common botanical materials found in my garden or on walks near my home are layered in molds with water and dyes. Each layer is frozen before another layer is added to create depth and range of colors. Once complete, the frozen sculptures are melted to reveal elements from the exposed layers and to form imperfect edges. The melting phases of the sculptures are photographed on a light box to expose hidden details as the light passes through the fragile subject. As the sculpture thins and melts the metamorphosis is like a butterfly, but with each passing second at risk of ruin. Analogous to scientific specimens, the sculptures are isolated from their surroundings for better observation. The circular form allows the viewer a window to peer into and explore a new world. The original materials and sculptures collected exist only for a brief time but have been transformed and preserved permanently as photographs for display.
- S. R.
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The photographs, part of a series titled Re>Formations, explore my interest in the relationship between shape, light and color along with the fragility of nature. The images, created from common botanical materials found in my garden or on walks near my home are layered in molds with water and dyes. Each layer is frozen before another layer is added to create depth and range of colors. Once complete, the frozen sculptures are melted to reveal elements from the exposed layers and to form imperfect edges. The melting phases of the sculptures are photographed on a light box to expose hidden details as the light passes through the fragile subject. As the sculpture thins and melts the metamorphosis is like a butterfly, but with each passing second at risk of ruin. Analogous to scientific specimens, the sculptures are isolated from their surroundings for better observation. The circular form allows the viewer a window to peer into and explore a new world. The original materials and sculptures collected exist only for a brief time but have been transformed and preserved permanently as photographs for display.
- S. R.
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