LoosenArt Mag / Gallery

Catalogue Exhibition │Millepiani

Posted on July 27 2023

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INTO THE NIGHT

Exhibition
8  —  18 March 2024
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SAMANTHA PARKER

Translucid Night │ Photography, 2023

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I use the moon to expose familiar landscapes using ICM or multiple exposure to create a blurred image that reflects the blurred line of “Am I safe” as a woman alone in the night.The moon represents the positive aspect which fills me with strength and a wave of childlike excitement.I feel the moons energy and am calmed by the beauty the light projects onto the landscapes allowing a sense of freedom.
- S. P.

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SAMANTHA PARKER

Out to Sea │ Photography, 2023

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I use the moon to expose familiar landscapes using ICM or multiple exposure to create a blurred image that reflects the blurred line of “Am I safe” as a woman alone in the night.The moon represents the positive aspect which fills me with strength and a wave of childlike excitement.I feel the moons energy and am calmed by the beauty the light projects onto the landscapes allowing a sense of freedom.
- S. P.

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FRED BRASHEAR JR
Strong; Resilient │ Photography, 2023

While the Stars Look Down photographically depicts the alien like quality of a desert landscape captured under the veil of night. Creating imagery that both invokes cautious curiosity of the Mojave Desert’s biome while mysteriously presenting the endemic Joshua tree through the concepts of color, time, and light, I create imagery with the intention of stirring a visceral response.
- F. B. JR

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FRED BRASHEAR JR
Techno Colored Nightmares and Bubble Gum Dreams │ Photography, 2023

While the Stars Look Down photographically depicts the alien like quality of a desert landscape captured under the veil of night. Creating imagery that both invokes cautious curiosity of the Mojave Desert’s biome while mysteriously presenting the endemic Joshua tree through the concepts of color, time, and light, I create imagery with the intention of stirring a visceral response.
- F. B. JR

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CHANG-CHING SU
In the Limelight │ Photography, 2023

“The darkness is the key, but humans locked it up.” My exploration begins with the issue of light pollution and dark-sky conservation in Taiwan, focusing on the Matsu Islands. These islands have become home to a surreal phenomenon, wherein each night the sky glows an unnatural neon green as far as the eye can see. My work aims to look at the causes of this issue, its ecological effects, and the eerie climate surrounding peacebuilding conversation within the twenty-first century.
- C.C. S.

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CHANG-CHING SU
10:47 pm, August 23, 2023, Daqiu Island │ Photography, 2023
“The darkness is the key, but humans locked it up.” My exploration begins with the issue of light pollution and dark-sky conservation in Taiwan, focusing on the Matsu Islands. These islands have become home to a surreal phenomenon, wherein each night the sky glows an unnatural neon green as far as the eye can see. My work aims to look at the causes of this issue, its ecological effects, and the eerie climate surrounding peacebuilding conversation within the twenty-first century.
- C.C. S.
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LAUREN WHITLEY
Aurora │ Video, 2023
Aurora is a short work depicting transition from day to night using collage recordings from NASA's ISS Expedition 42 time lapse videos of Earth from December 8, 2015. I layered these recordings to create an aberration from what is expected looking at images of Earth. I want to question what seems to be true of our world and selves, and to examine the position of fantasy in seeking to comprehend reality.
- L. J. W.
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ANGELICA VERDAN
Insomnia │ Video, 2023
"Insomnia" is a visualization of the mind's noise over time while trying to sleep. Born out of frustration, each frame is an abstract pixel image created during every restless night, totaling 120 individual images. "Insomnia" is looped and projected in physical liminal spaces to parallel the seemingly endless transition between being awake and being asleep.
- A. V.
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EDGESTRETCHING
Nighttime - Downtown │ Photography, 2023
Una pericolosa abitudine per una donna, quella di passeggiare per la città di notte. Ma durante la notte posso sperimentare quella sensazione, che raramente provo durante il giorno, di possedere la città. Il traffico si riduce, il silenzio spesso prende il sopravvento e ho questa sensazione di libertà assoluta. La serie a cui appartengono questi due pezzi si chiama 'Nighttime' e ha lo scopo di trasmettere questa sensazione di libertà al pubblico.
- ES.
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EDGESTRETCHING
Nighttime - Spying │ Photography, 2023
Una pericolosa abitudine per una donna, quella di passeggiare per la città di notte. Ma durante la notte posso sperimentare quella sensazione, che raramente provo durante il giorno, di possedere la città. Il traffico si riduce, il silenzio spesso prende il sopravvento e ho questa sensazione di libertà assoluta. La serie a cui appartengono questi due pezzi si chiama 'Nighttime' e ha lo scopo di trasmettere questa sensazione di libertà al pubblico.
- ES.
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ANITA RENAUD
Endless Motion │ Photography, 2022
Endless Motion shows how light can play tricks on the eyes when motion is included. It can create shapes and images that otherwise would not have been conceived. This moment, frozen in time, reveals to us these shapes and images that we would never have been able to see in real time.
- A. R.
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ANITA RENAUD
Empty Excitement │ Photography, 2022
American football is such a loved sport in the US. When one thinks of a American football stadium they may think of the yelling, the fans, the colors, or the full seats. But they don't tend to think of the emptiness that happens afterwards. It can be very eerie how silent and dark this space of endless activity can become. It almost feels like you can still see and hear the excitement.
- A. R.
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MARIE LE MOIGNE

Secret Nights - Nocturne Photography, 2013

In a house by the small fishing port, the narrative unfolds. The room, a minimalist space, blurs awakenings and mornings, suspending time. The gaze, lost in the darkness and secrets of this nearly empty room, finds only an almost inert body. Evenings host mysteries, illuminated by blinding light creating contrast on the body. Chopin's nocturnes resonate in the background.
- M. LM.

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MARIE LE MOIGNE

Secret Nights - The Fisher's Home Photography, 2013

In a house by the small fishing port, the narrative unfolds. The room, a minimalist space, blurs awakenings and mornings, suspending time. The gaze, lost in the darkness and secrets of this nearly empty room, finds only an almost inert body. Evenings host mysteries, illuminated by blinding light creating contrast on the body. Chopin's nocturnes resonate in the background.
- M. LM.

 

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CHENG-LONG ZHANG
Sleepwalk │ Photography, 2023
I keep roaming in the city, capturing the connection between people and the city, thinking about how urban space shapes people's lifestyle and desires, and whether there is another world hidden under the surface of daily life. When the stream of reality that is constantly dissipating and reassembling becomes a photograph, I arrive at the other side of reality.
- CL. Z.
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ANDRII BULAVKA
Mariachis  Photography, 2023
In Mexico, during Dia de los Muertos celebrations, families gather at cemeteries to honor loved ones. They clean and decorate graves with flowers, candles, and ornaments. Mariachis, traditional musicians, are hired to play lively music at gravesites. The music, a mix of traditional songs, captures the occasion's spirit, remembering the deceased while celebrating their lives. This adds a vibrant and festive atmosphere to the cemetery, creating a unique blend of joy and reflection during the Day of the Dead commemoration.
- A. B.
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ANNA LIGUS
Summer on The Tehuri River │ Photography, 2023
This is a photo taken in Georgia. I am in love with mountains and admire the unity of man and nature. In this self-portrait shoot, insects surrounded the lantern and added magic to the frame.
- A. L.
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CHENG-LONG ZHANG
Black Birds │ Photography, 2021
The suburbs are wet and cold after the rain, and groups of jackdaws come from the west, the road is muddy, and the walk is difficult, I chase their figure, but they are afraid of humans, always keep a distance from me, they keep circling in the air, as if the exhaustion of flight is left to the night, at the intersection of night and dawn, Fantasize about being existence other than human.
- CL. Z.
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FRANCESCO AGLIERI RINELLA
Luna Nascente │ Photography, 2022
Amboy, Route 66, California, 16 May 2022. After grabbing some soda at the Amboy Cafe we watched the sunset and then a rising Moon hugged us from behind. I rubbed my eyes two times before understanding that the fireball was real.
- F. A. R.
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DRAGAN SARIC
Cross │ Photography, 2021
In 2021, after entering Taiwan, I was obliged to do a two-week quarantine in a small hotel room. The room had no windows, nor was I allowed to leave. In this space I could not return home, nor could I enter my destination - I was trapped somewhere in-between. Reflecting upon this idea - liminality - I was reminded of my parents who had fled Yugoslavia - who were also trapped in-between destinations. After release I began photographing Taiwanese landscapes and interiors that struck me with nostalgia towards my lost Yugoslavian identity. As I lingered from hotel to hotel, I came to learn that this was no coincidence. ‘‘Tomorrow Hotel’’ taken over the course of one year, expresses and discusses the liminality of losing ones origin, while longing for home - being left a homesick tourist.
- D. S.
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DRAGAN SARIC
Window │ Photography, 2021
In 2021, after entering Taiwan, I was obliged to do a two-week quarantine in a small hotel room. The room had no windows, nor was I allowed to leave. In this space I could not return home, nor could I enter my destination - I was trapped somewhere in-between. Reflecting upon this idea - liminality - I was reminded of my parents who had fled Yugoslavia - who were also trapped in-between destinations. After release I began photographing Taiwanese landscapes and interiors that struck me with nostalgia towards my lost Yugoslavian identity. As I lingered from hotel to hotel, I came to learn that this was no coincidence. ‘‘Tomorrow Hotel’’ taken over the course of one year, expresses and discusses the liminality of losing ones origin, while longing for home - being left a homesick tourist.
- D. S.
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SEBASTIEN PAGEOT
Untitled │ Photography, 2021
Through several series Sébastien Pageot questions the capacities of the photpgraphy to represent the architecture in a tension between documentary value and ficionnal value of the image. Untitled (2021) is a nocturnal picture of a empty place. It can be seen as a simple documentary picture. But looking at it, the spectator will discover that this picture is a fake picture made with a small model of cardboard.
- S. P.
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SVETLANA MALAKHOVA
Night Veil │ Photography, 2023
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SVETLANA MALAKHOVA
Midnight Artistry │ Photography, 2023
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ANDRII BULAVKA
First Night in Cancun │ Photography, 2023
This self-portrait was captured as the initial photograph following my first journey from Europe to Central America. It marks the transition between the first night on a new continent and the dawn of a new morning, the first in a series of many to come.
- A. B.
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