Abstractions
Posted on May 18 2020
.
Author Silvia Colombo
.
.
Abstractions │ Online Exhibition May 2020
.
.
Cutting yourself off from reality, leaving the ordinary world for a while. Grabbing concepts, ideas, emotions and feelings. Grabbing them forcefully to draw them closer. Swimming into a renewed freedom of conscience. A place where shapes, colours and profiles are in constant change. Letting your imagination run wild to start a (almost) neverending journey.
These fragmented are flashes somehow comparable to the images - or rather visions - shown at “Abstractions”, the first digital exhibition launched and curated by Loosenart. The main topic, most definitely prophetic as compared with the slow times we are all living in, includes a wide range of representations - sometimes hallucinations - dealing with conceptuality, subjective representation as well as the world of ideas.
Once expressed in a certain manner, abstraction becomes a role model, a way to interpret our everyday life. Tickling our perceptions, it allows us to expand the borders of our imagination. Given that, which are the subjects presented at the group show? Which representations and feelings are capable of setting the artists (and consequently us) free?
It is rather easy to say. Observing these artworks, one immediately perceives a common ground that connects them, leading them to embrace the same nuances, compatible topics and similar techniques. All these pieces are singularly unanimous, collectively individual.
Some scenes unveil nature as it is, as both malicious and benevolent. Often framing a familiar place, where the artist can reassuringly recognise him/herself and “the other”, the artworks’ focus moves from tree branches puffed up by buds to the cycle of seasons, from natural elements merging/bumping into each other to dramatic landscapes. Ice, sand, sky and clouds crowd the composition, forming a well-balanced microcosm. At this point, the artist intervenes triggering abstraction, which is generated by devices and choices as a closer angle, for example, or a body movement, the waves of the ocean, a still life that becomes dynamic.
These fragmented are flashes somehow comparable to the images - or rather visions - shown at “Abstractions”, the first digital exhibition launched and curated by Loosenart. The main topic, most definitely prophetic as compared with the slow times we are all living in, includes a wide range of representations - sometimes hallucinations - dealing with conceptuality, subjective representation as well as the world of ideas.
Once expressed in a certain manner, abstraction becomes a role model, a way to interpret our everyday life. Tickling our perceptions, it allows us to expand the borders of our imagination. Given that, which are the subjects presented at the group show? Which representations and feelings are capable of setting the artists (and consequently us) free?
It is rather easy to say. Observing these artworks, one immediately perceives a common ground that connects them, leading them to embrace the same nuances, compatible topics and similar techniques. All these pieces are singularly unanimous, collectively individual.
Some scenes unveil nature as it is, as both malicious and benevolent. Often framing a familiar place, where the artist can reassuringly recognise him/herself and “the other”, the artworks’ focus moves from tree branches puffed up by buds to the cycle of seasons, from natural elements merging/bumping into each other to dramatic landscapes. Ice, sand, sky and clouds crowd the composition, forming a well-balanced microcosm. At this point, the artist intervenes triggering abstraction, which is generated by devices and choices as a closer angle, for example, or a body movement, the waves of the ocean, a still life that becomes dynamic.
Other abstractions depict the reappropriation of a space - natural as well as artificial, private as well as public. By adopting an unusual, eccentric point of view, the artists uncover emotional and geographic territories in need to be explored. In the beginning, these works that are mostly based on a subtly sentimental balance, seem to display simple elements like wavering reflections and geometric shapes. But, at a closer look, they reveal themselves for what they are, going back to being main roads and vanishing shadows. Against the backdrop of our cities, our lives.
Lastly, there is a scientific trend recognising abstraction as an optical variation, where contrasts are considered as sharp or delicate explosions of lines and colours, as appropriate. The result is a meta art piece primarily reflecting on the use of harmonic and disharmonic tones and on the emotional reactions they arouse in the eye of the beholder. There is a long artistic tradition - from Georges Seurat and Paul Signac to Max Bill, just to mention a few - assimilating those dynamics in artworks where the palette and its nuances become a primary feature.
Passing through those universes that are so distant and yet so close, we have the opportunity to witness a multitude of transformations. Abstractions steadily changing and, in their turn, being changed, in a continuous mutation.
Lastly, there is a scientific trend recognising abstraction as an optical variation, where contrasts are considered as sharp or delicate explosions of lines and colours, as appropriate. The result is a meta art piece primarily reflecting on the use of harmonic and disharmonic tones and on the emotional reactions they arouse in the eye of the beholder. There is a long artistic tradition - from Georges Seurat and Paul Signac to Max Bill, just to mention a few - assimilating those dynamics in artworks where the palette and its nuances become a primary feature.
Passing through those universes that are so distant and yet so close, we have the opportunity to witness a multitude of transformations. Abstractions steadily changing and, in their turn, being changed, in a continuous mutation.
.
.
.
.
ARTISTS
Adam Maxwell, Ajda Martinčič, Alina Zhilina, Anastasia Dumitrescu, Anastasia Kodatenko, Andrea Kornfeld, Andreia M. Ferrari, Andrej Boyko, Andrew Ilachinski, Anna Bastoni, Aristenko Evgeniy, Chloe Aust, Cynthia Dickinson, Daniel Agra, Ekaterina Shuvalova, Ela Kurowska, Elena Melnikova, Elena Stelzer, Evgenii Sautkin, Galina Klimanova, Ganna Biletska, Genevieve Anderson, Gilles Tarabiscuité, Guillaume L. Petitot-Bellavene, Gun Roze, Harold Roger, Jakub Fiala, Jakub Pasierkiewicz, Jane Soodalter, Joetta Maue, Katherine Baxter, Layal Srouji, Leon Syfrit, Lizzy Johnston, Madalena S. Carlos, Maksim Tarasov, Malgorzata Mikolajczyk, Marco Tanfi, Maria Surmacheva, Mariya Obidina, Mark Peyton, Massimo Profeti, Mathis Teis, Michael Kelly-DeWitt, Michael Kunzinger, Miguel Angel Nalda, Miguelina Seijo-Herbert, Nadide Goksun, Nancy Breakstone, Natalya Kuznetsova, Nickolai Burma, Olena Lanova, Peter R. Jacobson, Povilas Daknys, Rachel Nixon, Ravneet Marwaha, Richard Dana, Roya Moradkhani, Shuwan Chen, Sofia Talanti, Sofya Danilova, Stefani Georgieva, Steve Morton, Tamara Morozova, Tara Vatanpour, Thomas Valianatos, Todor Tilev, Tomáš Neuwirth, Tricia Capello, Vincent Dupont-Blackshaw, Wieslawa Nowicka, Yana Kononova, Yasmin Mazloom, Yevhen Samuchenko, Yuliana Paranko
.
.
.
.
.
.
.
ADAM MAXWELL
Remembering You │ Photography, 2018
—
This image is my attempt - forever in vain - to recount her beauty - the girl who I once loved.
- A. M.
.
www.adammaxwellenjoy.com
.
.
.
———
.
ALINA ZHILINA
Haiku │ Photography, 2016
—
.
www.behance.net/sunwayline
.
.
.
———
.
ANASTASIA DUMITRESCU
Amoeba │ Photography, 2019
—
Shifting from passive reflection into an active contemplation, I am looking to fine-tunne the way I perceive the commonplace’s latent potential to unfold its subtle vibrant frequencies. I thus propose the image as a playground terrain for tactile rhythms and for a slow and porous looking to impress into its surface.
- A. D.
.
http://anastasiadumitrescu.com
.
.
.
———
.
ANASTASIA KODATENKO
Tulip │ Photography, 2019
—
Through the camera lens, everyday life becomes a visual, sensory experiment.
- A. K.
.
.
.
———
.
ANDREIA M. FERRARI
Foliage n˚ 2 │ Photography, 2017
—
The image is part of a project composed of 20 photographs that depicts plant foliage with an emphasis on specific parts of its leaves. The image aims to raise people's awareness of the beauty of nature and the need to preserve it for a better quality of life and for future generations. The project is a visual communication about Nature with the aim of creating emotional and intellectual connections between the public's concernment, the feelings of preservation and sustainable use of nature. My approach is abstraction.
- A. F.
.
.
.
———
.
ANDREJ BOYKO
One Moment to Aphrodite │ Photography, 2020
—
www.adammaxwellenjoy.com
.
.
.
———
.
ANDREW ILACHINSKI
Swirls, Whorls, and Tendrils │ Digital, 2010
—
An ephemeral "swirling ink form." All are unique, surreal, and exquisitely beautiful. It is a 1:1 macro, many fine details are literally invisible to the naked eye. The macro lens reveals what looks like "organic" life-forms, that develop as though some hidden “rule” (or genetic code) is guiding their evolution.
- A. I.
.
www.andy-ilachinski.com
.
.
.
———
.
ANNA BASTONI
Platonic Solids, Atlantis Technology. Earth within Elements │ Photography, 2017
—
Earth, in the form of a cube, the steady form of matter, is one of the five Platonic Solids, shapes repeated throughout the known Universe from molecules to large structures and beyond. Getting in touch with these perfect realities creates an immediate relationship, allowing us to recognize ourselves as a part of them and align with the essential forms of Nature.
- A. B.
.
www.annabastoni.it
.
.
.
———
.
ARISTENKO EVGEIY
Thunderstorm │ Photography, 2019
—
.
.
.
———
.
CHLOE AUST
Ink in Water │ Photography, 2020
—
Ink in Water explores the surreal effects of abstracting combinations of colour within everyday items.
- C. A.
.
www.chloeaustphotography.co.uk
.
.
.
———
.
CYNTHIA DICKINSON
Kachina │ Photography, 2020
—
Kachina is an image from a series I am working on "Here & Beyond". It was photographed at the MN Landscape Arboretum, Chaska, MN.
- C. D.
.
http://cynthiadickinson.zenfolio.com
.
.
.
———
.
DANIEL AGRA
Génesis │ Photography, 2020
—
Génesis is the abstraction of light, as a symbol of birth, creation, spirituality, purity, consciousness and enlightenment.
- D. A.
.
www.danielagra.com
.
.
.
———
.
EKATERINA SHUVALOVA
Heart │ Photography, 2019
—
https://shuvalovaekaterina.com
.
.
.
———
.
ELA KUROWSKA
Fascicia │ Photography, 2020
—
In my artwork, I explore elemental properties of life by combining photography with science. Using photoelastic gels and cross-polarized light, I build and capture biomorphic abstractions that resemble otherworldly life made of light and colors. Interpreted as microscopic or perhaps macroscopic, the photographs depict the awe-inspiring, universal vitality of life.
- E. K.
.
http://lightforms.ca
.
.
.
———
.
ELENA MELNIKOVA
Art Inside │ Photography, 2017
—
.
.
.
———
.
ELENA STELZER
Reserve │ Photography, 2019
—
Where are your monuments, your battles, martyrs? Where is your tribal memory? The sea. The sea is History. (Derek Walcott)
- E. S.
.
.
.
———
.
EVGENII SAUTKIN
Nascence │ Photography, 2020
—
"Nascence" belongs to the series "Philosophy of the subject." In this work, the author reflects on the topic of life and death, trying to see objects that are familiar to us from a different angle, to understand their essence.
- E. S.
.
.
.
———
gr2fj
GALINA KLIMANOVA
Uno │ Photography, 2019
—
A reproduction from a unique glass plate, made using the photographic process of the 19th century - a wet plate collodion process. White traces are the traces left by the light. This is a real drawing of light.
- G. K.
.
.
.
———
.
GANNA BILETSKA
The Origin of Life │ Photography, 2020
—
To be able to see different meanings in familiar things.
- G. B.
.
.
.
———
.
GENEVIEVE ANDERSON
Blissfully Cool │ Digital Mix Media, 2017
—
Abstract ice defiantly contrasting jet-black sand mimics the kaleidoscopic physiological component of emotion. Behind every image is a reason to verge on what authentically interests the mind concurrently allowing escape from what’s truly there. Why then not simply submit to enjoy the beauty in the moment notwithstanding an elusive world?
- G. A.
.
.
.
———
.
GILLES TARABISCUITÉ
Pure Photography #/ │ Photography, 2019
—
How to make digital art without a computer? How to take a “real“ photograph that doesn’t look like a photograph? This is what I’m trying to do.
- G. T.
.
http://tarabiscuite.com
.
.
.
———
.
GUILLAUME LOUIS PETITOT-BELLAVENE
Dancing Vortex │ Photography, 2020
—
By 'choreographing' my Dancing Vortex, I offer a contemplative dive into the unknown and the impermanent, an en- counter with universal forces, whose outcome will be perhaps a surprising inner journey of discovery, punctuated by some distant echoes of a now forgotten original Big Bang.
- G. L. P.
.
.
.
———
.
GUN ROZE
#6222-Grenadier Rd │ Photography, 2016
—
This image is from my series titled "As Above, So Within" that represents evidences of nature reflected on city streets, which are crucial for spirit and spirituality.
- G. R.
.
www.shot-by-gun.com
.
.
.
———
.
HAROLD ROGER
What I bought at the supermarket in Paris, France, the 21st of January at 7:31PM │ Photography, 2020
—
In order to play with daily objects, I forced myself, for a while, to shoot a picture of the things I just bought at the supermarket. Here is one made of almond chocolate, chocolate sticks, ginger and orange. Every picture is supposed to work in diptych with the receipt associated.
- H. R.
.
.
.
———
.
JAKUB FIALA
Slices of the Ocean II - 1 │ Digital, 2019
—
Slices of the Ocean is a series created by manipulating a water simulation algorithm. The result is a relic of the elemental power of water - an explosion caught mid-burst, cast in otherworldly bronze. The artist's role is to capture a state of the algorithm, giving up control over fine detail.
- J. F.
.
https://fiala.uk
.
.
.
———
.
JAKUB PASIERKIEWICZ
When You Step into the Land of Colour │ Photography, 2019
—
The photograph presents an impressionistic landscape of Devon coast, which I captured this summer. The variation of colours appeared in front of my camera after the rainy weather and the full sunlight uncovered the beauty of the coastal flora.
- J. P.
.
www.kubap.com
.
.
.
———
.
JANE SOODALTER
The Secret Sharer │ Photography, 2018
—
The visual beauty hidden in the everyday world has always called out to me, enticing me to look closely, discover its secrets, and capture it treasure-like in my camera. I am particularly drawn to ordinary objects of the natural world that I come upon by simply walking out my door.
- J. S.
.
www.janesoodalter.com
.
.
.
———
.
JOETTA MAUE
Sweepings, Under the Wires │ Photography, 2019
—
The push and pull of the beauty of our daily detritus.. created through collecting my household sweepings -investigating the story it tells of the humans that live within a home. A portrait of a domestic space via the leftovers.
- J. M.
.
www.joettamaue.com
.
.
.
———
gr3ko
.
KATHERINE BAXTER
Feminine Matrix │ Photography, 2018
—
Everything has a frequency, a vibration, and is in constant motion; from our physical bodies to our mental space. What happens when we capture that wave of motion, making it still, forever suspended in time? My works vulture this question, attempting to find an answer while providing no concrete solutions.
- K. B.
.
www.katherinebaxter.studio
.
.
.
———
.
LAYAL SROUJI
Mylar │ Photocopy, 2020
—
The process by which one is desensitized to an image correlates to the frequency an image is reproduced. An outcome of a material which has been altered to the point of abstraction. A point when the harsh material becomes fluid and pleasing. It is reproduction that takes away the harsh glare and introduces color.
- L. S.
.
.
.
———
.
LEON SYFRIT
NV_Las Vegas_I-15 @ Silverado Ranch Road │ Photography, 2017
—
Blowout is an ongoing body of work that started in July of 2017, and is comprised of photographs of blown out automobile tires that I found along the highway in Las Vegas, Nevada.
- L. S.
.
.
.
———
.
LIZZY JOHNSTON
Folded Paper │ Photography, 2020
—
http://lizzyphoto.com
.
.
.
.
———
.
MADALENA SILVA CARLOS
Genesis │ Photography, 2019
—
This fragments of alternative reality are close ups of a technique that I discovered while producing pinhole photography. This series is made by the photographies that failed due to over or underexposure. In the end, while rescuing this images from the trash I discovered a potencial medium of expression, a randomness of shapes and colours that can't be controlled. A series of beautiful mistakes. "Rescued Photography" marks the beginning of my discovery of the abstract, the irrational, the true beauty of photography.
- M. S. C.
.
.
.
———
.
MAKSIM TARASOV
Volcanoes of Kamchatka │ Photography, 2017
—
To look for things hidden from us – that’s interesting.
- M. T.
.
.
.
———
.
MALGORZATA MIKOLAJCZYK
Abstractions from Tirana │ Photography, 2019
—
For me, photography is a journey into myself. I am looking for a reflection of my emotions, in configurations of spots and shapes. These pictures were taken during my trip to Tirana, in November, 2019. I spent a weekend in Albania and right on the first day, I met a bukovist, who was selling old books that were spread on the ground. I bought one of them, on the work of Albanian abstract painter: Arben Theoghosi. That evening, I studied his paintings full of wonder, for a long time. In the morning of the following day, I went out into the streets and abstractions were created instead of reportage.
- M. M.
.
www.malgoprzatamikolajczyk.com
.
.
.
———
.
MARCO TANFI
Don't Forget │ Photography, 2018
—
Butterflies have an enchanting grace, but they are also the most ephemeral creatures that exist. Born who knows where, they only gently search for a few limited things, and then silently disappear somewhere. (Haruki Murakami)
- M. T.
.
http://marcotanfifoto.com
.
.
.
———
.
MARIA SURMACHEVA
Ice Needles │ Photography, 2019
—
I like to show abstraction of macro photography through the magical world.Everyday things can take on unusual forms and lead to various thoughts thanks to macro photography.
- M. S.
.
.
.
———
.
MARIYA OBIDINA
Morning of the Bride │ Photography, 2020
—
Delicate white flowers, like a young girl in the early morning. Gentle, airy, a little sleepy, but very beautiful...
- M. O.
.
.
.
———
.
MARK PEYTON
Gap │ Photography, 2015
—
The camera has the ability to manipulate and distort space. This image was created using basic materials: a plastic swim tube and a flatbed scanner. Taking advantage of the transformative power of photography, this common material has been taken out of its context and used in a more dramatic way.
- M. P.
.
www.markpeyton.com
.
.
.
———
.
MASSIMO PROFETI
Watershape #1 │ Photography, 2019
—
A water shape in a small mountain stream.
- M. P.
.
.
.
———
.
MATHIS TEIS
L'Échoppe │ Photography, 2019
—
This photograph is taken from an ongoing series named coruscation. Coruscation comes from the Latin coruscatio which means to flash or gleam, glitter or sparkle. In this series I've tried to capture moments where the light is so intense that it allows us a glimpse into another reality of our daily life.
- M. T.
.
.
.
———
.
MICHAEL KELLY-DEWITT
Tripartite Soul │ Photography, 2017
—
www.michaelkellydewitt.net
.
.
.
———
.
MICHAEL KUNZINGER
Bridge │ Photography, 2018
—
I look for images in reflections that occur on the surface of water. Although the dreamlike designs are reminiscent of modern abstract paintings, they are entirely real. The effect is achieved by a combination of ripples in the water, the angle of light, water clarity, and other factors. No oils or digital touch-ups are used; the process begins and ends organically with the art created around us by nature.
- M. K.
.
https://mfkunzinger.wixsite.com/home
.
.
.
———
.
MIGUEL ANGEL NALDA
Rorschach Winter │ Photography, 2011
—
In Rorschach the winters are white, cold. Long and thin are the shadows.
- M. A. N.
.
www.naldaweb.net
.
.
.
———
.
MIGUELINA SEIJO-HERBRT
Relationships in Contrast II │ Photography, 2018
—
We navigate a world full of color, light, and objects. Rarely do we catch their interactions the same way twice. The shade of a wall changing with shadow, sunshine reflecting a building in waves, or the permanent imprint on a slipped roll of film. From a photo series, "Relationships in Contrast", this photograph embodies the unique correlations of those key elements.
- M. S. H.
.
www.seijophotography.com
.
.
.
———
.
NADIDE GOKSUN
Summer Dream │ Photography, 2018
—
This photograph is from my ongoing "Abstraction" series in which I explore the alternative ways to compose an image using the visual experiences of color, shape, form, light and shadow.
- N. G.
.
www.nadidegoksun.com
.
.
.
———
.
NANCY BREAKSTONE
Mixed In The Sand │ Photography, 2020
—
I photograph sand patterns created by the Pacific Ocean on volcanic beaches in Costa Rica. As the tide recedes the small waves create these patterns. The colors in this pattern were a result of layers of sand and the reflection of the sun on the water still over the pattern.
- N. B.
.
www.nancybreakstonephotography.com
.
.
.
———
.
NATALYA KUZNETSOVA
Abstract Hand │ Photography, 2019
—
A specific part of the body - the hand - as an abstract object of study and research.
- N. K.
.
.
.
———
.
NICKOLAI BURMA
Extraterrestrial Civilization │ Photography, 2020
.
.
.
———
.
OLENA LANOVA
River of Time │ Photography, 2018
—
The transience and variability of life as a stream of water.
- O. L.
.
.
.
———
gr4pt
PETER R. JACOBSON
Brick City │ Photography, 2019
—
Perspective changes perception. The City of Bricks is the raw material for building cities. Like skyscrapers made of bricks, bricks are made one by one, and this aerial view shows them palleted at the brick yard, waiting to be shipped to the next building project.
- P. J.
.
http://peterjphotos.com
.
.
.
———
.
POVILAS DAKNYS
Sirens │ Mix Media, 2017
—
Sirens are dangerous creatures, who lured nearby sailors with their enchanting music and singing voices to shipwreck on the rocky coast of their island.
- P. D.
.
.
.
———
.
RACHEL NIXON
Afternoon Dream I │ Photography, 2019
—
A vivid and warm fantasy garden awaits. The everyday becomes fantastical through an interplay between the natural and the manmade. This image was created in camera by manipulating sunlight in front of the lens using perforated gold metallic fabric and mesh.
- R. N.
.
http://rachelnixon.com
.
.
.
———
.
RAVNEET MARWAHA
Flower of Light │ Photography, 2019
—
Ravneet Marwaha is a Boston-based Fine Art Photographer. Her work is inspired by change, invisible connections and personal journeys. Flower of Light is observation of how nature influences human designs, while transforming an unnatural habitat as if it were present there.
- R. M.
.
http://ravneetmarwaha.com
.
.
.
———
.
RICHARD DANA
Mother and Yearling │ Photography, 2019
—
My images’ objective is to create a rich and powerful impact: A compelling provocation to the eyes and mind. My Images suggest other worlds as well as the world we live in. They can embrace a multiplicity of meanings, all valid if an emotional, nonrational or rational chord is struck.
- R. D.
.
http://rdanaartist.com
.
.
.
———
.
ROYA MORADKHANI
Desert │ Photography, 2019
—
The desert in silence and simplicity shows the forms that have the most complex meaning I record my mental meanings from the desert and display.
- R. M.
.
.
.
———
.
SHUWAN CHEN
Untitled_01 │ Digital, 2020
—
https://chenshuwan.com
.
.
.
———
.
SOFIA TALANTI
MutaGen9B6FAA0B811543A80501 │ Digital, 2019
—
The artificial product is much more appreciated when it is more like a natural object, through technology it is created the perfect hybrid: a work made by man but that it is exclusively based on the laws of nature.
- S. T.
.
.
.
———
.
SOFYA DANILOVA
Techno (#1) │ Digital Mix Media, (nd)
—
Everything is repeating itself, constantly, in one way or another. I'm just showing what shapes it can take, bringing new forms and shapes from nature and urban objects.
- S. D.
.
.
.
———
.
STEFANI GEORGIEVA
The Handprint │ Photography, 2019
—
The photographic image is a miniature copy of reality - my reality and it’s inspired by personal life events and the feelings and states generated by these events. When the soul is influenced by a strong emotion, especially a negative emotion, it must be released from it. Art is a natural tool for this to happen in a constructive and beautiful way.
- S. G.
.
.
.
———
.
STEVE MORTON
Aggs │ Digital, 2016
—
http://smort.net
.
.
.
———
.
TAMARA MOROZOVA
Unwritten Picture │ Photography, 2019
.
.
.
———
.
TARA VATANPOUR
The Memory │ Mix Media
—
My Definition of Abstraction is : dealing with ideas rather than events. ..The memory becomes blurry, purposefully forgotten, and ripped.
- T. V.
.
http://taravatanpour.com
.
.
.
———
.
THOMAS VALIANATOS
Shan Shui Paintscape (B) │ Digital, 2018
—
“Paintscapes" deals with CG landscapes based on fractal abstract painting. "Paintscapes" investigate J. Pollock's technique of dripping, digitize it in its micro-scale and promote it to a virtual three-dimensional landscape.
- T. V.
.
.
.
.
———
.
TODOR TILEV
Ballydowane Cove │ Photography, 2019
—
With my family we did Copper Coast Drive in Ireland. We stopped at Ballydovane Cove, where I took this picture. I did long exposure to smooth the ocean and to get the abstact result.
- T. T.
.
www.todortilev.com
.
.
.
———
.
TOMÁS NEUWIRTH
Road Between Seasons │ Photography, 2019
—
Road ahead the mountain pass of Vidly in Jeseníky Mountains, Czech Republic.
- T. N.
.
www.tomasneuwirth.com
.
.
.
———
.
TRICIA CAPELLO
Blue Orb │ Photography, 2018
—
“The Space Between” explores the wonders of dark, light and into the power & stillness of the space between. This zero point is revered as sacred, it’s the center of all creation & the seed from which all life is generated. Never staged or edited, images are moments hidden within our world. Never staged or edited, all images are moments hidden within our world.
- T. C.
.
www.triciacapello.com
.
.
.
———
gr5uz
VINCENT DUPONT-BLACKSHAW
Sport Lines #1 │ Photography, 2019
—
Lines and curves of stadium tracks create an abstract painting (Varsity Stadium, Toronto).
- V. D. B.
.
www.parlo.fr
.
.
.
———
.
WIESLAWA NOWICKA
Into the Dark of my Skin │ Photography, 2018
—
Wieslawa Nowicka explores the branches of visual art and its pluralism. As a result, she has liberated herself from a singularity, permitting her to explore the facets of history, anthropology, and psychoanalysis through the plurality of arts - painting, design, performance and video installations.
.
http://wieslawanowicka.myportfolio.com
.
.
.
———
.
YANA KONONOVA
Sponginess #1 │ Photography, 2019
—
Fragile forms, anarchistically created by constantly blended, driving, subverting, shifting forces of matter and moisture, inhabited by sparkling living particles and organisms – this is a sponginess of kingdom. This photograph was taken during the ongoung series of the art-based expeditions to the Irdynsky swamps (Ukraine).
- Y. K.
.
www.yanakononova.com
.
.
.
———
.
YASMIN MAZLOOM
Self-Portrait as a Depressed Woman-SIDE VIEW │ Mix Media, 2017
—
With my photographs I use familiar elements to create unfamiliar scene. I am consumed by these moments that I first create and then capture. Through performance and use of my physical body I tap into the psychological dimensions of my existence. I reflect on my experiences, anxieties and curiosities and use photography to expose this physiological landscape.
- Y. M.
.
.
.
———
.
YEVHEN SAMUCHENKO
White Profile │ Photography, 2019
—
Aerial shot from my series " At the Pink planet" Pink salt lakes , Ukraine. It place is looking like an another planet. During the summer , microscopic algae causes the water to turn pink. The view from above is literally out of this world.
- Y. S.
.
https://q-l-n.com
.
.
.
———
.
YULIANA PARANKO
Start of the Film Roll │ Photography, 2019
—
This work is a part of on-going project "How nature affects the picture". We create landscapes, take photos of nature. But trees, rivers and plants can become more involved in creating the final portrait of themselves. I soaked films into waters of river, swamp and quarry in different places in Ukraine. I added leaves, twigs and sand into waters. I shot these films at the same areas from where waters were. Nature is a part in creating these images. It is also an effect and a model, the print and the chemical part. Nature can create and destroy, it has amazing colors and it can erase colors. It is a power and it can speak.
- Y. P.
.
.
.
———
.
.
.
Abstractions Exhibition Catalogue │Buy it
.
.
.
—
..
.
.
.
.
———
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
Connect